The good news for current URSA Mini Pro users and those considering incorporating the camera into their workflows is that almost all accessories designed for the original camera should work seamlessly with the new G2 model. This also means that while the G2 is evolutionary in feel, it’s revolutionary in a few important ways. While the G2 represents a big step forward from the popular original URSA Mini Pro, the differences between the two cameras arealmost entirely under the hood. This is an important distinction to make when evaluating whether the camera is right for the applications you’re intending it for. Other areas like low-light performance and auto-focus aren’t as high on the priority list since the camera is designed for cinematic environments where dedicated lighting crews and focus pullers are part of the team. The original URSA Mini Pro introduced concessions like tactile controls and build-in ND filtering in order to make the camera more attractive to documentary filmmakers, but by and large it still needs to be regarded from a different perspective than something like a camcorder. That means that features such as resolution, dynamic range, frame rates and codecs have been given prime consideration. When examining the URSA Mini Pro G2 one central tenant to keep in mind is that this is first and foremost a camera designed for cinematic filmmaking. We’ll also explore how this camera could function in a number of ministry contexts. In this hands-on review we’ll investigate all the new features of the device and how it compares to the much-loved original URSA Mini Pro. With the URSA Mini Pro G2, techs can switch hit betweenfilmmaking during the week and IMAG duties on the weekend.Įarlier this year, Blackmagic announced the much-anticipated follow up to the camera with its new flagship URSA Mini Pro G2. Soon thereafter, filmmakers began to adopt the camera into a number of mid-level and higher-end feature, documentary and music video projects. The camera marked a huge step forward for the URSA line, and Blackmagic itself as a rival to the biggest names in the digital cinema world. Originally released in 2017, the Blackmagic URSA Mini Pro was designed to as a solution for cinematographers wanting the internal power of the URSA Mini 4.6K in a form factor better suited for run-and-gun documentary filming.
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